In today’s fast-paced world, more major films are running longer
By Rebecca Keegan and John Horn, Los Angeles Times
You can fly from Los Angeles to Seattle in less time than it takes to
watch "The Hobbit: An Unexpected Journey." Elite runners can finish a
marathon faster than the total time of "Django Unchained."
Daily life may be swinging toward two-minute YouTube videos and brutally
succinct tweets, but there's still one place where time practically
stands still: the multiplex. Extra-long films have proliferated this season, a consequence of directors who wield near
unilateral control over their films' running times and digital
filmmaking tools that allow for longer and repeated takes.
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Some movie theater owners say the current crop of long-winded movies
are costing them at the box office, as films approaching three hours in
length can be shown only once an evening.
Exhibitors
and more than a few movie critics have bemoaned this spate of prolonged
productions. Yet some members of the most important constituency in the
film business say the long films don't really feel that time-consuming.
"It never lagged," said 12-year-old Jesse Serrato, who joined his family for the 169-minute "Hobbit" movie this week in
downtown Los Angeles and clearly has more fortitude than many adults.
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The year's maximalist movies include not only typically longer prestige
titles such as "Lincoln" (149 minutes), "Les Miserables" (158) and "Zero
Dark Thirty" (157) but also a comic-book movie ("The Dark Knight
Rises," 164), a James Bond sequel ("Skyfall," 143) and a comedy
("This Is 40," 134).
The running times haven't hurt some of these long movies at the box
office. "Skyfall" has garnered domestic ticket sales of $272.6 million,
"Dark Knight Rises" took in $448.1 million and "Lincoln" has grossed $108.5 million.
But those outsized revenues have largely come from megaplexes, where
theater owners can utilize more screens for a hit film. The operators of
smaller complexes say they don't have that latitude, and are
consequently suffering.
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